Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in. Instead, Ayo Solanke’s upcoming movies are deliberately varied. There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps. He’s not jumping between roles—he’s maneuvering them. And that’s a very different kind of career strategy.
Cultural Adaptation and Controversy
Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET. Ayo shares how his life has changed since the show hit the global Top 10, what it was like stepping into a complex character, and how fans have connected with Ryan’s emotional journey. While undeniably successful in attracting attention, the adaptation has received criticism from purists in the manga audience. Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one. For those not in the know, Kakegurui (賭ケグルイ, Kakegurui –Compulsive Gambler–) is a Japanese manga series that began its run in Square Enix’s Gangan Joker magazine in March 2014. It was later adapted in 2017 by the legendary studio MAPPA with a follow-up series arriving two years later.
- Each character conveys depth in the storyline, reflecting complex social structures in the school.
- He’s not dabbling—he’s building something that could easily stand on its own.
- Always conduct your own research or check with certified experts before investing, and be prepared for potential losses.
- It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect.
- Netflix’s newest teen drama, Bet, has entered the Top 10 charts in 32 countries in just one week.
Stream It Or Skip It: ‘Bet’ On Netflix, Where A Teen Goes To A Boarding School Where Gambling Is A Way Of Life
He enrolled in youth acting intensives—not the kind where everyone hugs it out, but the kind where you’re told your cold-read was “technically fine” and “emotionally vacant.” It was brutal. The switch from stage to screen didn’t feel like an upgrade—it felt like being thrown into a new sport with different rules. Subtlety wasn’t a footnote—it was the whole page. The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human. He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.
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As a director and writer, he isn’t flexing genre tricks. Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions.
- Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in.
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- Plenty about Bet doesn’t work, but it’s so full of big swings and fun ideas that it’s an easy, characterful binge-watch all the same.
- Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles.
- The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to.
- How to translate that into a live-action series that doesn’t feel cartoonish is tough.
- He’s been open about how those early ensemble shows—where mics cut out and spotlights misfire—taught him how to listen for timing.
Inside the World of BET: Ayo Solanke on Playing Ryan, Loyalty, and Finding His Voice
And his filmography reads like an actor deliberately swerving past the typecasting conveyor belt. From indie horror bloodbaths to militarized shootouts and a moody short film with a philosophical backbone, Ayo Solanke’s upcoming movies and recent releases prove he’s not here to be cute on camera—he’s here to test his ceiling. This chapter dissects three key projects that show exactly how far that ceiling might go.
Property and Real Estate
We understand that every individual has unique needs and desires, which is why we approach each person with the utmost care and professionalism. A web platform dedicated to aesthetic surgery, dermatology, and beauty, where expertise meets innovation, and your desires and needs become our mission. In a world where appearance and health go hand in hand, our platform leads the revolution, delivering the latest trends, research, and expert advice directly to you. This website cannot be displayed as your browser is extremely out of date. Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko. While Ryan is inspired by Ryota Suzui from the Kakegurui manga, Ayo made a conscious effort to build a version of the character that stood on its own.
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Yumeko notices that Mary is cheating, and only wants to play fair. But, as we see in flashbacks to her childhood in Japan, winning money isn’t the only reason why she’s at St. Dominic’s; she wants revenge. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following. There’s no mysticism in Solanke’s Lagos Nigeria chapter—just ordinary life.
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Bet is representative of Netflix’s attempt to bring adaptations of manga to a global audience. While the series does provide drama with high stakes and excitement in visuals, it also delves deep into the problems of cultural adaptation. The reception of the show has shown that when it comes to adaptations, the balance between creative reinterpretation and respecting the culture of the original material becomes very important.
Ayo Solanke’s Directorial Debut: “The Island” Short Film
It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect. Jonathon is one of the co-founders of Ready Steady Cut and has been an instrumental part of the team since its inception in 2017, with the leading role as Senior Editor. Jonathon has remained involved in all aspects of the site’s operation, mainly dedicated to its content output, remaining one of its primary Entertainment writers while also functioning as our dedicated Commissioning Editor.
Cast and characters
You feel the tension—not the romantic kind, thankfully, but the kind where two people recognize each other’s damage and make a silent pact not to flinch. Solanke’s Ryan Adebayo isn’t the hero Netflix usually casts, and that’s precisely the point. He’s not the swaggering alpha or the tormented antihero. A student at St. Dominic’s who gambled and lost, Ryan’s role is defined by subjugation. And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting. The premise revolves around Yumeko Jabami (Miku Martineau, Kate), an enigmatic transfer student who arrives at St. ayobet slot Dominic’s Prep with a mind to take down its dominant and corrupt Student Council as revenge for her parents’ murder.
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Both those seasons are streaming exclusively on Netflix as of right now. This actually marks the second time the material has been adapted into a live-action series, with a Japanese series (also streaming on Netflix) released in 2019, starring Minami Hamabe, Mahiro Takasugi, and Aoi Morikawa. There are actors who say they’re “into music” and mean they have a Spotify playlist with a dramatic title.
Lista de actores y personajes de “Apuesta”: quién es quién en el live action de “Kakegurui” de Netflix
Interestingly, Ayo didn’t even know what he was auditioning for at first. Like many of his castmates, his audition script used a placeholder name — “Harry” instead of Ryan — to conceal the true identity of the project.
Cultural Adaptation and Controversy
Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all. As a pure high-school drama Bet probably wouldn’t work that well, but the gambling games add a lot of surprising tension and excitement because they’re clearly designed as narrative devices.
- Nigeria wasn’t a springboard—it was a baseline.
- Each character conveys depth in the storyline, reflecting complex social structures in the school.
- From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory.
- Always conduct your own research or check with certified experts before investing, and be prepared for potential losses.
- This would allow it to stand on its own for new viewers as well as longtime Kakegurui fans.
- It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect.
- Netflix’s newest teen drama, Bet, has entered the Top 10 charts in 32 countries in just one week.
The Canada chapter didn’t launch Solanke. There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch. There’s something quietly radical about that. Just sharp, self-aware evolution—scene by scene. Our team consists of highly skilled professionals in the fields of aesthetic surgery and dermatology, committed to providing reliable information and guidance that will help you make informed choices about your appearance and well-being.
The characters in manga stories are designed to be over-the-top and at times are more known for their quirkiness than any kind of depth of character. How to translate that into a live-action series that doesn’t feel cartoonish is tough. A good example is Bet, an adaptation of a manga about a high schooler who is a compulsive gambler going to a prep school full of people wagering their parents’ money. The ensemble cast is diverse, featuring Ayo Solanke as Ryan Adebayo and Eve Edwards as Mary Davis. Clara Alexandrova stars as the fierce student council president, Kira Timurov. Each character conveys depth in the storyline, reflecting complex social structures in the school.
Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles. Gambling is a way of life at St. Dominic’s, and the Student Council are the top winners at the school, led by council president Kira (Clara Alexandrova). They make the rules of the games played. The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to. Let’s start with the absurdly titled Clown in a Cornfield.