Everything evolves fairly naturally, and by the time the finale rolls around, you’re more invested in the interpersonal relationships than the gimmicks, which feels just about right. The premise revolves around Yumeko Jabami (Miku Martineau, Kate), an enigmatic transfer student who arrives at St. Dominic’s Prep with a mind to take down its dominant and corrupt Student Council as revenge for her parents’ murder. St. Dominic’s is one of those weird made-for-TV schools where nobody seems to do any work, there are no teachers in sight, and the whole place is divided into themed cliques with eccentric gimmicks. The costuming and social structure are a little reminiscent of Elite, but that’s as far as the comparison goes. In Canada, Ayo Solanke’s education took a sharper turn. He enrolled in youth acting intensives—not the kind where everyone hugs it out, but the kind where you’re told your cold-read was “technically fine” and “emotionally vacant.” It was brutal.
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You feel the tension—not the romantic kind, thankfully, but the kind where two people recognize each other’s damage and make a silent pact not to flinch. With BET ayobet and Island vaulting him into broader audiences, Ayo Solanke is poised for roles that demand emotional authenticity and cultural nuance. In an era when representation matters more than ever, he’s not just navigating identity, he’s defining it, scene by scene. For now, Ayo’s back to auditions, but he’s also working on his own short film Island, exploring his skills behind the camera. Still, he’s hopeful for more BET — and judging by the show’s performance, there’s a good chance he’ll get that call. While Musk may not want Edebiri to touch “Pirates,” the actress is booked and busy enough, next starring in films “After the Hunt” and “Ella McCay,” while “The Bear” was renewed for a fourth season.
Ayo Solanke Talks Playing Ryan in Netflix’s BET, Fan Reactions & What’s Next
Critics and fans alike praise this emotional arc—a rare blend of vulnerability and resolve. On Wednesday, March 12, the Emmy-winning actress posted an Instagram Story recalling a time when she was ‘cast’ in a fake “Pirates of the Caribbean” reboot on social media, which prompted a negative response from the Tesla CEO. “Disney sucks,” commented on X with a repost of the false story. From creator Simon Barry, the teen drama focuses on St. Dominic’s, an elite private school where underground gambling rules the social scene. While undeniably successful in attracting attention, the adaptation has received criticism from purists in the manga audience. Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one.
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The switch from stage to screen didn’t feel like an upgrade—it felt like being thrown into a new sport with different rules. Subtlety wasn’t a footnote—it was the whole page. There’s a danger in treating manga tropes with reverence—they become parodies without punch. Solanke sidesteps that trap by playing Ryan with dissonance.
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- Now to the main question – who is the owner of bet9ja?
- He’s been open about how those early ensemble shows—where mics cut out and spotlights misfire—taught him how to listen for timing.
- Elon Musk stirred up an intense social media reaction towards Ayo Edebiri, which nearly endangered the actress.
- Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside.
- Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET.
- St. Dominic’s is one of those weird made-for-TV schools where nobody seems to do any work, there are no teachers in sight, and the whole place is divided into themed cliques with eccentric gimmicks.
- I recently caught up with Ayo for Pop Culture Unplugged, where we talked about the show’s global success, stepping into a beloved fandom, and why Ryan’s evolution is resonating with viewers around the world.
- Jonathon is one of the co-founders of Ready Steady Cut and has been an instrumental part of the team since its inception in 2017, with the leading role as Senior Editor.
Inside the World of BET: Ayo Solanke on Playing Ryan, Loyalty, and Finding His Voice
That instinct now shows up everywhere from his sax solos to his slow-burn monologues on screen. Bold & Beautiful shows beauty, intelligence, lifestyles, successes, achievements, and remarkable feats that characterize Nigerians and Africans. Ayo hasn’t parked his ambition at acting. He’s developing a short film, Island, and aiming to direct and write his own stories.
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Bet has performed well in terms of ratings since its inception. According to Netflix, the series had recorded 2.4 million views internationally in 7 days and 13.7 million hours of watching, ranking ninth globally in the meantime. It has managed to stay in the top 10 in 32 countries, despite hardly any marketing efforts. Kasey Moore is the founder and editor-in-chief of What’s on Netflix, the leading independent resource covering Netflix with over a decade of hands-on experience tracking Netflix’s new releases, removals, and breaking news. His reporting and data insights have been featured in leading publications including Variety, THR, Bloomberg, and Business Insider.
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If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here. It’s easy to categorize actors-turned-directors as restless or ambitious. In Solanke’s case, it reads more like necessity.
‘Bet’ on Netflix: Plot Twists, Cast & Know All About This ‘Kakegurui’ Series
- Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor.
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- In Canada, Ayo Solanke’s education took a sharper turn.
- This would allow it to stand on its own for new viewers as well as longtime Kakegurui fans.
- Edwards is a 24-year-old actress from Canada.
- In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY.
- From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory.
The ensemble cast is diverse, featuring Ayo Solanke as Ryan Adebayo and Eve Edwards as Mary Davis. Clara Alexandrova stars as the fierce student council president, Kira Timurov. Each character conveys depth in the storyline, reflecting complex social structures in the school.
There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps. He’s not jumping between roles—he’s maneuvering them. And that’s a very different kind of career strategy. His breakout role came as Ryan Adebayo in Netflix’s Bet, a high-stakes teen drama where Solanke not only survives but steals scenes. Critics call him a “scene-stealer…a break‑out genius” aestetica.net. Ryan isn’t the alpha or the anti‑hero, he’s the student caught in a rigged game, and Solanke brings him dignity and quiet resistance, giving emotional depth to a chaotic narrative aestetica.net.
- Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside.
- He’s not jumping between roles—he’s maneuvering them.
- The show offers a live-action look at the Japanese manga Kakegurui, which exposes a world of high-stakes gambling and power dynamics.
- “That moment where I pin Michael… Ryan is locked in.
- She is best known for her role as Alya Kendrick in the drama series Backstage and Juniper in Workin’ Moms.
- As a pure high-school drama Bet probably wouldn’t work that well, but the gambling games add a lot of surprising tension and excitement because they’re clearly designed as narrative devices.
- The streaming platform’s recommendation algorithm must have played a large part in driving organic viewership to the series, indicating a fairly strong connection with teens and young adults.
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Ayo believes BET is more than a stylish teen thriller — it’s a reflection of deeper truths. Solanke points to the final episodes, especially the scenes where Ryan defends Yumiko or squares off with Hunter Cardinal’s character Michael, as some of his favorite to shoot. Anwen O’Driscoll is the Canadian actress who plays Riri on Bet. Edwards is a 24-year-old actress from Canada. Bet is Netflix’s latest live-action based on the manga Kakegurui.
And if you enjoyed it, consider sharing this post with your friends on social media with the share buttons below. Now to the main question – who is the owner of bet9ja? Continue reading to find out more about him. Jonathon is one of the co-founders of Ready Steady Cut and has been an instrumental part of the team since its inception in 2017, with the leading role as Senior Editor. Jonathon has remained involved in all aspects of the site’s operation, mainly dedicated to its content output, remaining one of its primary Entertainment writers while also functioning as our dedicated Commissioning Editor. Plenty about Bet doesn’t work, but it’s so full of big swings and fun ideas that it’s an easy, characterful binge-watch all the same.
- As the owner of the biggest betting company in Nigeria, Kunle is no doubt one of the most influential people in the Nigerian sports industry today.
- Just a visual puzzle with enough thematic weight to demand more than one watch.
- Yumeko becomes friends with Ryan (Ayo Solanke), who becomes a housepet after losing a round of cards to a council member named Mary (Eve Edwards).
- These are all likeable and engaging characters who create an interesting ensemble thanks to their varied personalities, circumstances, and motivations.
- Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time.
- He’s not the comedic relief, the tragic martyr, or the guy with secret trauma.
- Set in St. Dominic’s Boarding School for Girls, where gambling dictates the social hierarchy.
- Solanke sidesteps that trap by playing Ryan with dissonance.
The 10 part thriller stars Miku Martineau, Ayo Solanke, and Eve Edwards. Analytics Insight is an award-winning tech news publication that delivers in-depth insights into the major technology trends that impact the markets. The content produced on this website is for educational purposes only and does not constitute investment advice or recommendation. Always conduct your own research or check with certified experts before investing, and be prepared for potential losses. Opinions expressed herein are those of the authors and not necessarily those of Analytics Insight, or any of its affiliates, officers or directors.
The indie studio has a reputation for picking actors who don’t need to shout to be heard. And Ayo Solanke’s role in A24’s Altar seems positioned to pivot him from emerging talent to serious contender—without the usual award-season desperation. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following.
A good example is Bet, an adaptation of a manga about a high schooler who is a compulsive gambler going to a prep school full of people wagering their parents’ money. After staking his claim as one of the few fresh faces to make a teen drama feel dangerous again, he’s shifting gears. What’s next isn’t just a continuation—it’s escalation.
On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.
Games
At the heart of the story lies Yumeko Jabami, a compulsive gambler who dismantles the social order of Hyakkaou Private Academy, a school where students remain ranked according to their gambling prowess. The manga is famous worldwide due to its intense characters and unpredictable plot twists, thus being ripe for live-action adaptation. Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in. Instead, Ayo Solanke’s upcoming movies are deliberately varied.
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Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all.
